“O gentle vision in the dawn:My spirit over faint cool water glides,Child of the day,To thee;And thou art drawnBy kindred impulse over silver tidesThe dreamy wayTo me.”

“The white saucer like some full moon descendsAt last from the clouds of the table above;She sighs and dreams and thrills and glows,Transfigured with love.She nestles over the shining rim,Buries her chin in the creamy sea;Her tail hangs loose; each drowsy pawIs doubled under each bending knee.A long, dim ecstasy holds her life;Her world is an infinite shapeless white,Till her tongue has curled the last holy drop,Then she sinks back into the night,Draws and dips her body to heapHer sleepy nerves in the great arm-chair,Lies defeated and buried deepThree or four hours unconscious there.”

“When the tea is brought at five o'clockAnd all the neat curtains are drawn with care,The little black cat with bright green eyesIs suddenly purring there.”

“What I saw was just one eyeIn the dawn as I was going:A bird can carry all the skyIn that little button glowing.Never in my life I wentSo deep into the firmament.”

“Here is the soundless cypress on the lawn:It listens, listens. Taller trees beyondListen. The moon at the unruffled pondStares. And you sing, you sing.That star-enchanted song falls through the airFrom lawn to lawn down terraces of sound,Darts in white arrows on the shadowed ground;And all the night you sing.My dreams are flowers to which you are a beeAs all night long I listen, and my brainReceives your song, then loses it againIn moonlight on the lawn.Now is your voice a marble high and white,Then like a mist on fields of paradise,Now is a raging fire, then is like ice,Then breaks, and it is dawn.”

“It ain't over til it's over.Yogi Berra A good way to live one's life”

“For more than half a century I have tried to confront greatness directly, hardly a fashionable stance, but I see no other justification for literary criticism in the shadows of our Evening Land. Over time the strong poets settle these matters for themselves, and precursors remain alive in their progeny. Readers in our flooded landscape use their own perceptiveness. But an advance can be of some help. If you believe that the canon in time will select itself, you still can follow a critical impulse to hasten the process, as I did with the later Stevens, Ashbury, and, more recently, Henri Cole.”