“A girl doesn't always want to go out, you know, Mr. Wind-Up Bird. Sometimes she feels like being nasty--like, if the guy's gonna wait, let him really wait.”

“Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I’ll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it’s pitch dark, and I have absolutely no idea what’s going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to others—other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I’ve made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you’re not just another one of those little things, Mr. Wind-Up Bird, but anyhow…) help me to come back “here” little by little.”

“There was a small stand of trees nearby, and from it you could hear the mechanical cry of a bird that sounded as if it were winding a spring. We called it the wind-up bird. Kumiko gave it the name. We didn't know what it was really called or what it looked like, but that didn't bother the wind-up bird. Every day it would come to the stand of trees in our neighborhood and wind the spring of our quiet little world.”

“The little things are important, Mr. Wind-Up Bird,”

“Here's what I think, Mr. Wind-Up Bird," said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things.”

“She waited for the train to pass. Then she said, "I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.”

“Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.”