“According to Chekhov," Tamaru said, rising from his chair, "once a gun appears in a story, it has to be fired.""Meaning what?""Meaning, don't bring unnecessary props into a story. If a pistol appears, it has to be fired at some point. Chekhov liked to write stories that did away with all useless ornamentation.”

“So you're thinking you'd rather not hand me a pistol?''They're dangerous. And illegal. And Chekov is qa writer you can trust.''But this is not a story. We're talking about the real word.'Tamaru narrowed his eyes and looked hard at Aomame. Then, slowly opening his mouth, he said 'Who knows?”

“I find writing novels a challenge, writing stories a joy. If writing novels is like planting a forest, then writing short stories is more like planting a garden.”

“That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.”

“In my case, if I start out by thinking about the plot, things don't go well. Small points, such as my impression of what is likely to occur, do come to mind, but I let the rest of the story take its own course. I don't want to spend as long as two years writing a story whose plot I already know.”

“Most people are not looking for provable truths. As you said, truth is often accompanied by intense pain, and almost no one is looking for painful truths. What people need is beautiful, comforting stories that make them feel as if their lives have some meaning. Which is where religion comes from.”

“You said you're going far away," Tamaru said. "How far away are we talking about?""It's a distance that can't be measured.""Like the distance that separates one person's heart from another's.”