“Dance," said the Sheep Man. "Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop.”

“Tendencies. Yougottendencies. Soevenifyoudideverythingoveragain, yourwholelife, yougottendenciestodojustwhatyoudid, alloveragain. -The Sheep Man.”

“Most of the afternoons I would pass looking out at the pasture. I soon began seeing things. A figure emerging from the birch woods and running straight in my direction. Usually it was the Sheep Man, but sometimes it was the Rat, sometimes my girlfriend. Other times it was the sheep with the star on it's back.”

“Sheep hurt my father, and through my father, sheep have also hurt me.”

“I’m just kinda tired. Like a monkey in the rain.”

“People soon get tired of things that aren't boring, but not of what is boring.”

“With Naoko gone, I went to sleep on the sofa. I hadn't intended to do so, but I fell into the kind of deep sleep I had not in a long time, filled with a sense of Naoko's presence. In the kitchen were the dishes Naoko ate from, in the bathroom was the toothbrush Naoko used, and in the bedroom was the bed in which Naoko slept. Sleeping soundly in this apartment of hers, I wrung the fatigue from every cell of my body, drop by drop. I dreamed of a butterfly dancing in the half-light.”