“I think memory is the most important asset of human beings. It’s a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That’s why I want to write a book.”

“And I began to feel sorry for myself; for so many years, my drawer full of memories had held the same old stories.”

“I have to figure out why I worked at a job I hated for years. I have to find out why I can’t see what everyone else sees in me. I don’t feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it’s devastating, Jonas. I don’t want you to think it’s vanity, it isn’t. I can’t see me and I need to be able to do that. I need to find out what I’m like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want.”

“This was a memory I wanted to keep, whole, and recall again and again. When I was fifty years old I wanted to remember this moment on the porch, holding hands with Cameron while he shared himself with me. I didn’t want it to be something on the fringes of my memory like so many other things about Cameron and myself.”

“I forced myself to keep my eyes open so I could memorize every curve of her face. I wanted the image burned so deeply in my memory that when I closed my eyes to sleep at night, she would be the last thing I saw and the first person on my mind when I woke.”

“I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears?”