“Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.”
In this poignant quote by Haruki Murakami, the author reflects on the inevitability of loss and the pain that comes with growing older. The imagery of losing important aspects of life, such as physical strength, hopes, dreams, and loved ones, is compared to losing teeth one by one. The author emphasizes the irreversibility of these losses, highlighting the difficulty of finding replacements that measure up to what was lost. This quote serves as a reminder of the transient nature of life and the profound impact that loss can have on the human experience.
In this quote, author Haruki Murakami captures the universal experience of loss that awaits us as we age. The stark reality of losing things that are dear to us, whether it be relationships, dreams, or physical strength, can be a painful and inevitable part of life. This reminder serves as a modern wake-up call to cherish the moments and connections we have now, as they may not always be there in the future.
"“Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.” - Haruki Murakami"
As we reflect on the poignant words of Haruki Murakami, let's consider the following questions to deepen our understanding and introspection:
How do you perceive the process of "continual loss" in your own life? Have you experienced the gradual slipping away of important aspects or individuals?
Do you resonate with the feeling of things that were once significant being replaced by "worthless imitations"? What are some examples of this in your own life?
In what ways have you experienced the pain of losing physical strength, hopes, dreams, ideals, convictions, or loved ones? How have these losses shaped your outlook on life?
How do you cope with the inevitability of loss and the inability to retrieve what has been taken from you? Do you seek out replacements, or do you approach this process in a different way?
Reflecting on Murakami's words, how can we find meaning and solace in the face of loss and the shifting nature of life? How can we embrace the changes and find value in the present moment?
“Once you make up your mind to get rid of something, there’s very little you can’t discard. No – not very little. Once you put your mind to it, there’s nothing you can’t get rid of. And once you start tossing things out, you find yourself wanting to get rid of everything. It’s as if you’d gambled away almost all your money and decided, What the hell, I’ll bet what’s left. Too much trouble to cling to the rest”
“Math is like water. It has a lot of difficult theories, of course, but its basic logic is very simple. Just as water flows from high to low over the shortest possible distance, figures can only flow in one direction. You just have to keep your eye on them for the route to reveal itself. That’s all it takes. You don’t have to do a thing. Just concentrate your attention and keep your eyes open, and the figures make everything clear to you. In this whole, wide world, the only thing that treats me so kindly is math.”
“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others. Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world. Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.Just what kind of narrative?It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
“There must be a limit to that kind of lifestyle, though," she says. "You can’t use that strength as a protective wall around you. There’s always going to be something stronger that can overcome your fortress. At least in principle." "Strength itself becomes your morality." "You catch on quickly." "The strength I’m looking for isn’t the kind where you win or lose. I’m not after a wall that’ll repel power coming from outside. What I want is the kind of strength to be able to absorb that outside power, to stand up to it. The strength to quietly endure things—unfairness, misfortune, sadness, mistakes, misunderstandings." "That’s got to be the most difficult strength of all to make your own." "I know…”
“The best thing would be to break your neck, but you'd probably just break your leg and then you couldn't do a thing. You'd yell at the top of your lungs, but nobody;d hear you, and you couldn't expect anybody to find you, and you'd have centipedes and spiders crawling all over you, and the bones of the ones who died before are scattered all around you, and it's dark and soggy, and way overhead there's this tiny, tiny circle of light like a winter moon. You die there in this place, little by little, all by yourself.”
“You got to know your limits. Once is enough, but you got to learn. A little caution never hurt anyone. A good woodsman has only one scar on him. No more, no less.”