“People are drawn deeper into tragedy not by their defects but by their virtues.”

“The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.”

“Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.”

“The sky grew darker, painted blue on blue, one stroke at a time, into deeper and deeper shades of night.”

“Even if things were the same, people's perception of them might have been very different back then. The darkness of night was probably deeper then, so the moon must have been that much bigger and brighter.”

“It is very simple, actually. It is because you and Tengo were so powerfully drawn to each other.”

“I’m confused. Really confused. And it’s a lot deeper than you think. Deeper… darker… colder. But tell me something. How could you have slept with me that time? How could you have done such a thing? Why didn’t you just leave me alone?”