“Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind, and it goes something like this:"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg."Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be?”

“Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.”

“If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)”

“I always have a problem liking things that I'm told I should like. This has been the problem with most of the Wonders I have seen so far. The fact that this one is called the 'Great' Wall of China annoys me. I'll decide if it's great or not. It might end up being the 'All Right Wall of China' to me.”

“The wall is home base. The wall won't move. If I stand at the wall, I won't be expected to move. This is what it means to be a wallflower. Now I understand.”

“I should write a serious book on China. If I did that and put in a lot of subtext about love and maybe compared it to the Great Wall or communism or something I could show the parallels between how we are forced to act in society due to cultural mores, versus how we really are, like, behind our own personal Jungian Great Walls. Then people would take my writing seriously like they do with Marni and Tess and that guy who wrote the Great Gatsby.”