“You can’t look too far ahead. Do that and you’ll lose sight of what you’re doing and stumble. I’m not saying you should focus solely on the details right in front of you, mind you. You’ve got to look ahead a bit or else you’ll bump into something. You’ve got to conform to the proper order and at the same time keep an eye out for what’s ahead. That’s critical, no matter what you’re doing.”

“You always look so cool, like no matter what happens, it’s got nothing to do with you, but you’re not really like that. In your own way, you’re out there fighting as hard as you can, even if other people can’t tell by looking at you.”

“I’m struck by how, except when you’re young, you really need to prioritize in life, figuring out in what order you should divide up your time and energy. If you don’t get that sort of system set by a certain age, you’ll lack focus and your life will be out of balance.”

“Once you’re lost, you panic. You’re in total despair, not knowing what to do. I hate it when that happens. Sex can be a real pain that way, ‘cause when you get in the mood all you can think about is what’s right under your nose - that’s sex, all right.”

“I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”“Wow,” I said. “Did the search pay off?”“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”“Waiting for the perfect love?”“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”“I’m not sure that has anything to do with love,” I said with some amazement.“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”“Things like throwing strawberry shortcake out the window?”“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”“So then what?”“So then I’d give him all the love he deserves for what he’s done.”“Sounds crazy to me.”“Well, to me, that’s what love is…”

“Well, think of what I’m doing to you right now. For me I’m the self, and you’re the object. For you, of course, it’s the exact opposite—you’re the self to you and I’m the object. And by exchanging self and object, we can project ourselves onto the other and gain self-consciousness. Volitionally.” “I still don’t get it, but it sure feels good.” “That’s the whole idea,” the girl said.”

“You’re wasting your life being involved with me.”“I’m not wasting anything.”“But I might never recover. Will you wait for me forever? Can you wait 10 years, 20 years?”“You’re letting yourself be scared by too many things,” I said. “The dark, bad dreams, the power of the dead. You have to forget them. I’m sure you’ll get well if you do.”“If I can,” said Naoko, shaking her head.“If you can get out of this place, will you live with me?” I asked.“Then I can protect you from the dark and from bad dreams. Then you’d have me instead of Reiko to hold you when things got difficult.”Naoko pressed still more firmly against me.“That would be wonderful,” she said.”