“grape, knife, cup, wheat / are symbols in eternity, / and every concrete object / has abstract value, is timeless / in the dream parallel”

“In any case, it is a mistake to equate concreteness with things. An individual object is the unique phenomenon it is because it is caught up in a mesh of relations with other objects. It is this web of relations and interactions, if you like, which is 'concrete', while the object considered in isolation is purely abstract. In his Grundrisse, Karl Marx sees the abstract not as a lofty, esoteric notion, but as a kind of rough sketch of a thing. The notion of money, for example, is abstract because it is no more than a bare, preliminary outline of the actual reality. It is only when we reinsert the idea of money into its complex social context, examining its relations to commodities, exchange, production and the like, that we can construct a 'concrete' concept of it, one which is adequate to its manifold substance. The Anglo-Saxon empiricist tradition, by contrast, makes the mistake of supposing that the concrete is simple and the abstract is complex. In a similar way, a poem for Yury Lotman is concrete precisely because it is the product of many interacting systems. Like Imagist poetry, you can suppress a number of these systems (grammar, syntax, metre and so on) to leave the imagery standing proudly alone; but this is actually an abstraction of the imagery from its context, not the concretion it appears to be. In modern poetics, the word 'concrete' has done far more harm than good.”

“Laughter is timeless. Imagination has no age. And dreams are forever.”

“For the anarchist, freedom is not an abstract philosophical concept, but the vital concrete possibility of every human being to bring to full development all the powers, capacities and talents with which nature has endowed them, and turn them to social account.”

“The abstract is no more than an instrument, an organ, to see the concrete clearly.”

“The sacred sense of beyond, of timelessness, of a world which had an eternal value and the substance of which was divine had been given back to me today by this friend of mine who taught me dancing.”