“I mean seeing the Elgin marbles this morning gave me the same feeling and I didn’t know, don’t know whether I’m in Rome or Paris. I mean the Louvre and the British Museum hold one together, keep one from going to bits.”
“I have tasted words, I have seen them. Never had her hands reached out in darkness and felt the texture of pure marble, never had her forehead bent forward and, as against a stone altar, felt safety. I am now saved. Her mind could not then so specifically have seen it, could not have said, "Now I will reveal myself in words, words may now supercede a scheme of mathematical-biological definition. Words may be my heritage and with words...A lady will be set back in the sky....there was hope in a block of unsubstantiated marble, words could carve and set up solid altars...Thought followed the wing that beat its silver into seven-branched larch boughs.”
“Nothing held her, she was nothing holding to this thing: I am Hermione Gart, a failure.”
“I first tasted under Apollo’s lips,love and love sweetness,I, Evadne;my hair is made of crisp violetsor hyacinth which the wind combs backacross some rock shelf;I, Evadne,was made of the god of light.His hair was crisp to my mouth,as the flower of the crocus,across my cheek,cool as the silver-cresson Erotos bank;between my chin and throat,his mouth slipped over and over.Still between my arm and shoulder,I feel the brush of his hair,and my hands keep the gold they took,as they wandered over and over,that great arm-full of yellow flowers.”
“She did not look at the daffodils. They didn't mean anything. She looked at the daffodils. She said, 'Thank you for the daffodils.”
“There is no feeling that is comparable to that of being truly lost. I don’t mean lost in the woods, or desert, but lost in the way that only can happen internally. Lost to the deepest,blackest pit of your soul, clinging to ghosts of past times, when you thought you knew who andwhat you were. When this happens, you have two choices; you can give in to your darkest inclinations,and accept what you are, or you can fight, knowing that it is a losing battle, that the good halfof your soul is strong, but can never erase the bad part.”
“I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks, who had a genius, so to speak, for sauntering; which word is beautifully derived "from idle people who roved about the country, in the middle ages, and asked charity, under pretence of going à la sainte terre" — to the holy land, till the children exclaimed, "There goes a sainte-terrer", a saunterer — a holy-lander. They who never go to the holy land in their walks, as they pretend, are indeed mere idlers and vagabonds, but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all, but the Saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which indeed is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit (1) in us, to go forth and reconquer this holy land from the hands of the Infidels.”