“It feels like it feels like it's been five minutes, but it hasn't been five minutes yet.”

“There’s a pause so yawning I can’t help but think about what it would be like to lean in and kiss her, but if I’m getting the signals wrong then I’m about to destroy the best run we’ve had all evening. It’s been at least ten minutes since I’ve done or said anything stupid.”

“Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly."It's really allowed?" said Flora, her eyes alight at the colors."Allowed allowed?" said Goldenrod."For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks.”

“Whatever fantasy I had in my head of what Wolfboy looks like, it's now clear I haven't been fantasising hard enough, not nearly.”

“The real first kiss is the one that tells you what it feels like to be an adult and doesn't let you be a child anymore. The first kiss is the one that you suffer the consequences of. It was as if I had been playing Russian roulette and finally got the cylinder with the bullet in it.”

“Already the dream was coming apart, its bright silk strands unwinding into nebulous emotions, little coloured clouds of feeling being dispersed by the movement of my waking-up mind. This is how it's always been with Light Bulb Fragment dreams; by the time I'm fully awake, they're gone.”

“Against the urgency of people dying in the streets, what in God's name is the point of cultural studies?...At that point, I think anybody who is into cultural studies seriously as an intellectual practice, must feel, on their pulse, its ephemerality, its insubstantiality, how little it registers, how little we've been able to change anything or get anybody to do anything. If you don't feel that as one tension in the work that you are doing, theory has let you off the hook.”