“I’d set out to write a book about how we learn to trust our own experience in the face of confusion, doubt, and anxiety. What I ended up with is the story of how we love each other in spite of immense limitations”

“Off and on for many years, I tried to write a book about my childhood. I’d bring chapters to workshop, to writing group, and I always got the same comments: How could you live this way? How could you survive this? It’s too raw. You don’t speak to these people, do you? I was deeply hurt by these reactions, and also confused. This was my mother. I loved her. This was my family. My life. How could it be too raw?”

“I know how to wait for clarity to emerge from chaos. I know what it is to trust in the power of the unseen.”

“In childhood, it’s our parents who give us our standards for experience: “Here’s an inch,” they say. “And this is a foot.” And a child says, “Thanks! I can make my own yardstick now.” In my family, there wasn’t any kind of calibration demonstration. In the chaos, I struggled to figure out anything at all.”

“I loved the idea of a subversive world where mental illness was defined as just another version of normal, and education was how you made your way in the world, not something that began or ended.”

“Writing a book is exactly like love. You don’t hold back. You give it everything you have. If it doesn’t work out, you’re heartbroken, but you move forward and start again anyway. You have to.You don’t hold some of yourself in reserve. It’s all or nothing. There are no guarantees. ”

“How, I asked, could I have gone my whole life not knowing about my mother? How could I have not known what Keith knew when he saw our house? “It’s your mom,” Helder said. “Because it’s Mom.” He sounded firm and knowing and clear. “When a child has an alcoholic father, he sees him drink all day long but he doesn’t have a label, a concept. You just know that at night, when the tires make a certain sound in the driveway and the doors slam a certain way, with a certain sound, you just know you need to hide.”