“I urge pupils when studying a work and in order to master its most important aspic, the rhythmic structure, or the ordering of the time process, to do just what a conductor does with the score: to place music on the desk and to conduct the work from beginning to end as if it were played by someone else, an imaginary pianist with the conductor trying to impress him with his will, his tempo first of all, plus all the details of his performance.”

“The Servant who really studies his Master gradually becomes like his master; gradually learns that he himself is the one who in the end does all the work and has all the power.”

“At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.”

“The symphony orchestra had played poorly, so the conductor was in a bad mood. That night he beat his wife--because the music hadn't been beautiful enough.”

“Formerly, in my attempts to isolate this talent, I deducted, so to speak, from what I heard, the part itself, a part, the common property of all the actresses who appeared as Phèdre, which I myself had studied beforehand so that I might be capable of subtracting it, of gleaming as a residuum Mme Berma’s talent alone. But this talent which I sought to discover outside the part itself was indissolubly one with it. So with a great musician (it appears that this was the case with Vinteuil when he played the piano), his playing is that of so fine a pianist that one is no longer aware that the performer is a pianist at all, because his playing has become so transparent, so imbued with what he is interpreting, that one no longer sees the performer himself — he is simply a window opening upon a great work of art.”

“When some people say, as they do, that when we preach faith alone good works are forbidden, it is as if I were to say to a sick man, “If you had health you would have the full use of all your limbs, but without health the works of all your limbs are nothing,” and from this he wanted to infer that I had forbidden the works of his limbs. Whereas on the contrary I meant that the health must first be there to work all the works of all his limbs. In the same way faith must be the master-workman and captain in all the works, or they are nothing at all.”