“She told him that she had looked after him because of the white hairs on his forehead that grew into the shape of a star. Sometimes you see that someone is marked and you're helpless after that - you love.”

“What you're doing is building a horrible kind of logic. People read what you write and they say, 'Yes, he is talking about things that really happen,' and they keep reading, and it makes sense to them. You're explaining things that can't be defended, and the explanations themselves are mad, just bizarre — but you offer them with such confidence. It was because she kept the chain on the door; it was because he needed to let off steam after a hard day's scraping and bowing at work; it was because she was irritating and stupid; it was because she lied to him, made a fool of him; it was because she had to die, she just had to, it makes dramatic sense; it was because 'nothing is more poetic than the death of a beautiful woman'; it was because of this, it was because of that. It's obscene to make such things reasonable.”

“I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.”

“She looked at the last thing she had written and she felt calm. Then she crossed the words out vehemently, scribbling until even the shape of the sentence was destroyed.”

“She doesn’t complain about anything I do; she is physically unable to. That’s because I fixed her early. I told her in heartfelt tones that one of the reasons I love her is because she never complains. So now of course she doesn’t dare complain.”

“There were days when she’d open her eyes and be him for six hours in a row; she knew all his secrets and nothing he had done seemed wrong to her, she knew how it was, how things had been, she was there. There were days when he touched the tip of her nose and it was enough, a miracle of plenty.But who finds happiness interesting?”

“When things are serious and either Amy Eleni or I need to beat our personal hysteric, the informal code is to seize your head and twist coils of your hair around your fingers and groan, "I'm not mad! I'm not mad! I don't want to die!" And if you have a friend who knows, then the friend grabs her head too and replies, "There's someone inside of me, and she says I must die!" That way it is stupid, and funny, and serious.Our hysteric is the revelation that we refuse to be consoled for all this noise, for all this noise and for the attacks on our softnesses, the loss of sensitivity to my scalp with every batch of box braids. Sometimes we cannot see or hear or breathe because of our fright that this is all our bodies will know. We're scared by the happy, hollow disciple that lines our brains and stomachs if we manage to stop after one biscuit. We need some kind of answer. We need to know what that biscuit-tin discipline is, where it comes from. We need to know whether it's a sign that our bones are turning against the rest of us, whether anyone will help us if our bones win out, or whether the people who should help us will say "You look wonderful!" instead.”