“The girl was lighter without her heart. She danced barefoot on the hot roads, and her feet were not cut by the glass or stones that studded her way. She spoke to the dead whenever they visited her. She tried to be kind, but they realised that they no longer had anything in common with her, and she realised it, too. So they went their separate ways.”

“She looked out at the other trees, and she realised that her life was one of thousands, any one of which could have been her, she had grown wherever her life had taken her, she had drifted wherever the wind had blown her.”

“What the fuck?" she murmured as she realised what woke her was a head between her legs.”

“She had no sense of time, of what day it was, or anything beyond the bed she was on and the unceasing battle she fought with the Great Bitch of Pain.The nurses talked to her, too, explaining over and over what had happened to her, what they were doing, why they were doing it. She didn‟t care, so long as they delivered the drugs that kept the Great Bitch at bay. Of course, there came a time—way too soon, by her way of thinking— when her surgeon ordered a decrease in the drugs. He wasn‟t the one in agony, with his sternum cut in two, so what did he care? He was the one wielding the saw and scalpel, not the one on the receiving end. She had only a vague idea which of her visitors was the surgeon, but as her mind began clearing she memorized some particularly salty things she wanted to say to him. Okay, so he'd had to cut her sternum in half, but cutting her drugs in half? Bastard.”

“CORALINE'S STORYTHERE WAS A GIRL HER NAME WAS APPLE. SHE USED TO DANCE A LOT. SHE DANCED AND DANCED UNTIL HER FEET TURND INTO SOSSAJES. THE END.”

“She was terrified. She was beginning to realise that after long months of selfcontrol,the pressure, theearthquake, the volcano of her soul was showing signs that it was about to erupt, and themoment that this happened, she would have no way of controlling her feelings.”