“And so when you have lost everything, no more roads, no direction, no fixed signs, no ground, no thoughts able to resist other thoughts, when you are lost, beside yourself, and you continue getting lost, when you become the panicky movement of getting lost, then, that’s when, where you are unwoven weft, flesh that lets strangeness come through, defenseless being, without resistance, without batten, without skin, inundated with otherness, it’s in these breathless times that writings traverse you, songs of an unheard-of purity flow through you, addressed to no one, they well up, surge forth, from the throats of your unknown inhabitants, these are the cries that death and life hurl in their combat.”

“Knowledge from experience: the heart goes blind because the need is stronger than anything else. Your ego is blind, your id is eager. It will get to the point of smashing everything. When there is a danger from outside, you bolt, but when the danger comes from inside, how can you bolt? The danger from inside is that complicated thing, the love of the wolf, the complicity that attaches us to that which threatens us.”

“And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”

“What I'd saved: lost. Worse: I lost it. Can't even tell myself that I sort of lost it that lost I keep it still. I lost the saved. I've lost. I'm lost. This is pain, one dies of or kills. Kill it and one kills oneself. Splashes of bloody skin all over my notebooks. I haven't forgotten a dream, as it is written happens in the realm of dreams. One forgets a dream, then one forgets one has forgotten, nothing dies of this. I've lost The Dream. I cannot tell a soul. I will not enter alive into the beyond. I search for an explanation. To the labyrinth I descend with the chapeau. Maleficent remains but remains, therefore blessed. If I could ask my friend. No one else. He and only he knows the extraordinary value of what is lost, greater by far that the value of what one keeps. Suddenly I'm only this torch consuming itself. What to do? I had the papers, I took them from myself, I threw them in the Trash, I threw out my own being, I had the memory of the future at the window I broke me, I tore up the secret into a thousand pieces, I tweezed the sublime out of me, I had god I squashed him with a hat, this is not the first time I take myself to the labyrinth but this is the first time I go down into the labyrinth. I went right by the very trash bin of my being, how can you do away with your own eyes, I did it, who knows how”

“When I write, all those that we don’t know we can be write themselves from me, without exclusion, without prediction, and everything that we will be calls us to the tireless, intoxicating, tender-costly-search for love. We will never lack ourselves.”

“When I write, it's everything that we don't know we can be that is written out of me, without exclusions, without stipulation, and everything we will be calls us to the unflagging, intoxicating, unappeasable search for love. In one another we will never be lacking.”

“I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.”