“Wouldn't the worst be, isn't the worst, in truth, that women aren't castrated, that they have only to stop listening to the Sirens (for the Sirens were men) for history to change its meaning? You only have to look at the Medusa straight on to see her. And she's not deadly. She's beautiful and she's laughing.”

“You only have to look at the Medusa straight on to see her. And she's not deadly. She's beautiful and she's laughing.”

“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”

“I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.”

“She alone dares and wishes to know from within, where she, the outcast, has never ceased to hear the resonance of fore-language. She lets the other language speak—the language of 1,000 tongues which knows neither enclosure nor death. To life she refuses nothing. Her language does not contain, it carries; it does not hold back, it makes possible.”

“To be afraid is the condition of loving knowledge. Were I not dying of fear, I'd not know how to exist myself, I wouldn't get the notices of existence, I wouldn't record with delight the miniscule passage of a blue tit, its wing dipped in gold on the dusk. Were I not dying of sorrow I wouldn't with nostalgia be present at the creation of the world, the squirrel nuptials this morning I wouldn't care. Creatures are born to a backdrop of adieux.”

“perhaps within me the desire to put off that which I most in the world desire of late keeps watch, I mean, to write a book but a wounded book, a contentious, broken book, a book not pleased to be a book, to be only a book, to be born in the absence of my friend, a book incapable of acting as if the last times were not upon us, but which at the same time cannot act as if it were only a book hence a being unaware of the end, unaware what time it is.”