“L'humanité gémit, à demi écrasée sous le poids des progrès qu'elle a faits. Elle ne sait pas assez que son avenir dépend d'elle.”

Henri Bergson

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“Pour un être conscient, exister consiste à changer, changer à se mûrir, se mûrir à se créer indéfiniment soi-même.”


“Sans doute une chute est toujours une chute, mais autre chose est de se laisser choir dans un puits parce qu’on regardait n’importe où ailleurs, autre chose y tomber parce qu’on visait une étoile. C’est bien une étoile que Don Quichotte contemplait.”


“Yaşama tüm ciddiliğini bizim özgürlüğümüz kazandırır. Olgunlaştırdığımız duygular, içimizde gizlediğimiz tutkular, karar verip uyguladığımız eylemler; kısacası, bizden gelen, tümüyle bizim olan şeyler. İşte yaşama kimi zaman dramatik, genellikle de ciddi bir hava veren bunlardır. Bütün bunları komedyaya dönüştürmek için ne gereklidir. O görünürdeki özgürlüğümüzün altında iplerden oluşan bir düzeneğin yattığını ve bizlerin, ozanın dediği gibi, şu ölümlü dünyada,...İpleri yazgının elindeZavallı kuklalarolduğumuzu düşünmek gereklidir. Öyleyse düş gücünün bu basit imgeyi çağrıştırarak komiğe kadar götürmeyeceği hiçbir gerçek, ciddi, hatta dramatik sahne yoktur. Önü bu kadar geniş bir alana açık olan bir oyun da yoktur.”


“Might not certain vices have the same relation to character that the rigidity of a fixed idea as to intellect? Whether as a moral kink or a crooked twist given to the will, vice has often the appearance of a curvature for the soul. Doubtless there are vices into which the soul plunges deeply with all its pregnant potency, which it rejuvenates and drags along with it into a moving circle of reincarnations. Those are tragic vices. But the vice capable of making us comic is, on the contrary, that which is brought from without, like a ready-made frame into which we are to step. It lends us its own rigidity instead of borrowing from us our flexibility. We do not render it more complicated; on the contrary, it simplifies us. Here, as we shall see later in the concluding section of this study, lies the essential difference between comedy and drama. A drama, even when portraying passions or vices that bear a name, so completely incorporates them that the person is forgotten, their general characteristics effaced, and we no longer think of them at all, but rather of the person in whom they are assimilated; hence, the title of a drama can seldom be anything else than a proper noun. On the other hand, many comedies have a common noun as their title: L'Avare, Le Joueur etc.”


“The universe is a machine for the making of Gods.”


“There are manifold tones of mental life, or, in other words, our psychic life may be lived at different heights, now nearer to action, now further removed from it, according to the degree of our attention to life.”