“...and the great advantage of being a literary woman, was that you could go everywhere and do everything.”

“He is outside of everything, and alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window.”

“She was a woman who, between courses, could be graceful with her elbows on the table.”

“He sat with his yes fixed on hers while she spoke; then he lowered them and attached them to a spot on the carpet as if he were making a strong effort to say nothing but what he ought. He was a strong man in the wrong, and he was acute enough to see that an uncompromising exhibition of his strength would only throw the falsity of his position into relief. Isabel was not incapable of taking any advantage of position over a person of this quality, and though little desirous to flaunt it in his face she could enjoy being able to say 'You know you oughtn't to have written to me yourself!' and to say it with an air of triumph.”

“When you have lived as long as I, you will see that every human being has his shell, and that you must take the shell into acount. By the shell I mean the whole envelope of circumstances. There is no such thing as an isolated man or woman; we are each of us made up of a cluster of apurtenances. What do you call one's self? Where does it begin? Where does it end? It overflows into everythng tht belongs to us - and then flows back again. (...) One's self - for other people - is one's expression of one's self; and one's house, one's clothes, the books one reads, the company one keeps - these things are all expressive.”

“Well, I am rather afraid of that visit," said Clifford. "It seems to me it will be rather like going to school again."The Baroness looked at him a moment."My dear child," she said, "there is no agreeable man who has not, at some moment, been to school to a clever woman--probably a little older than himself. And you must be thankful when you get your instructions gratis. With me you would get it gratis.”

“The old superstition about fiction being 'wicked' has doubtless died out in England; but the spirit of it lingers in a certain oblique regard directed toward any story which does not more or less admit that it is only a joke. Even the most jocular novel feels in some degree the weight of the proscription that was formerly directed against literary levity; the jocularity does not always succeed in passing for gravity. It is still expected, though perhaps people are ashamed to say it, that a production which is after all only a 'make believe' (for what else is a 'story'?) shall be in some degree apologetic-shall renounce the pretension of attempting really to compete with life. This, of course, any sensible wide-awake story declines to do, for it quickly perceives that the tolerance granted to it on such a condition is only an attempt to stifle it, disguised in the form of generosity. ”