“Criticism talks a good deal of nonsense, but even its nonsense is a useful force. It keeps the question of art before the world, insists upon its importance. ”
“It is art that makes life, makes interest, makes importance, and I know of no substitute for the force and beauty of it's process.”
“Nothing, of course, will ever take the place of the good old fashion of 'liking' a work of art or not liking it; the more improved criticism will not abolish that primitive, that ultimate, test.”
“Ah darling, goodness, I think, never brought any one out. Goodness, when it's real, precisely, rather keeps people IN.”
“The chief impression produced on Isabel's spirit by this criticism, was that the passion of love separated its victim terribly from everyone but the loved object”
“The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night's hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell's wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodeled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real aesthetic passion for it, so that he know all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances--which fell so softly upon the warm, weary brickwork--were of the right measure.”
“Our relation, all round, exists--it's a reality, and a very good one; we're mixed up, so to speak, and it's too late to change it. We must live IN it and with it”