“Everything had something behind it: life was like a long corridor with rows of closed doors.”

“It had begun to be present to him after the first fortnight, it had broken out with the oddest abruptness, this particular wanton wonderment: it met him there--and this was the image under which he himself judged the matter, or at least, not a little, thrilled and flushed with it--very much as he might have been met by some strange figure, some unexpected occupant, at a turn of one of the dim passages of an empty house. The quaint analogy quite hauntingly remained with him, when he didn't indeed rather improve it by a still intenser form: that of his opening a door behind which he would have made sure of finding nothing, a door into a room shuttered and void, and yet so coming, with a great suppressed start, on some quite erect confronting presence, something planted in the middle of the place and facing him through the dusk.”

“He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.”

“Live all you can; it's a mistake not to. It doesn't so much matter what you do in particular so long as you have your life. If you haven't had that what have you had? … I haven’t done so enough before—and now I'm too old; too old at any rate for what I see. … What one loses one loses; make no mistake about that. … Still, we have the illusion of freedom; therefore don't be, like me, without the memory of that illusion. I was either, at the right time, too stupid or too intelligent to have it; I don’t quite know which. Of course at present I'm a case of reaction against the mistake. … Do what you like so long as you don't make my mistake. For it was a mistake. Live!”

“...he had long decided that abundant laughter should be the embellishment of the remainder of his days.”

“It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour.”

“Oh," said Catherine, with some eagerness, "it doesn't take long to like a person—when once you begin.”