“If he was not personally loud, however, he was deep, and during these closing days of the Roman May he knew a complacency that matched with slow irregular walks under the pines of the Villa Borghese, among the small sweet meadow-flowers and the mossy marbles.”

“However, Nick acted as much as possible under the circumstances, and that was rectifying — it brought with it enjoyment and a working faith. He had not gone counter to the axiom that in a case of doubt one was to hold off; for that applied to choice, and he had not at present the slightest pretension to choosing. He knew he was lifted along, that what he was doing was not first-rate, that nothing was settled by it and that if there was essentially a problem in his life it would only grow tougher with keeping. But if doing one's sum to-morrow instead of to-day does not make the sum easier it at least makes to-day so.”

“He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.”

“The great fact all the while however had been the incalculability; since he had supposed himself, from decade to decade, to be allowing, and in the most liberal and intelligent manner, for brilliancy of change. He actually saw that he *had* allowed for nothing; he missed what he would have been sure of finding, he found what he would never have imagined. Proportions and values were upside-down; the ugly things he had expected, the ugly things of his far away youth, when he had too promptly waked up to a sense of the ugly--these uncanny phenomena placed him rather, as it happened, under the charm; whereas the 'swagger' things, the modern, the monstrous, the famous things, those he had more particularly, like thousands of ingenuous enquirers every year, come over to see, were exactly his sources of dismay. They were as so many set traps for displeasure, above all for reaction, of which his restless tread was constantly pressing the spring. It was interesting, doubtless, the whole show, but it would have been too disconcerting hadn't a certain finer truth saved the situation. He had distinctly not, in this steadier light, come over *all* for the monstrosities; he had come, not only in the last analysis but quite on the face of the act, under an impulse with which they had nothing to do. ("The Jolly Corner")”

“He surveyed the edifice from the outside, and admired it greatly; he looked in at the windows, and received an impression of proportions equally fair. But he felt that he saw it only by glimpses, and that he had not yet stood under the roof. The door was fastened, and although he had keys in his pocket he had a conviction that none of them would fit. She was intelligent and generous; it was a fine free nature, but what was she going to do with herself?”

“He had thought, no doubt, from the day he was born, much more than he had acted; except indeed that he remembered thoughts--a few of them--which at the moment of their coming to him had thrilled him almost like adventures.”

“It seemed to him he had waited an age for some stir of the great grim hush; the life of the town was itself under a spell--so unnaturally, up and down the whole prospect of known and rather ugly objects, the blankness and the silence lasted. Had they ever, he asked himself, the hard-faced houses, which had begun to look livid in the dim dawn, had they ever spoken so little to any need of his spirit? Great builded voids, great crowded stillnesses put on, often, in the heart of cities, for the small hours, a sort of sinister mask, and it was of this large collective negation that Brydon presently became conscious--all the more that the break of day was, almost incredibly, now at hand, proving to him what night he had made of it.”