“It is as difficult to suppose a person intending to write a modern English, as to suppose him writing an ancient English, novel; that is a label which begs the question. One writes the novel, one paints the picture, of one's language and of one's time, and calling it modern English will not, alas! make the difficult task any easier.”

“Writers in what we now call the Middle English period (late twelfth century to 1485) did not necessarily always write in English. The language was in a state of flux: attempts were made to assert the French language, to keep down the local language, English, and to make the language of the church (Latin) the language of writing.”

“Plenty of people were writing novels; in fact, if one did a survey in the street, half of Edinburgh was writing a novel, and this meant that there really weren't enough characters to go round. Unless, of course, one wrote about people who were themselves writing novels. And what would the novels that these fictional characters were writing be about? Well, they would be novels about people writing novels.”

“Bad books on writing tell you to "WRITE WHAT YOU KNOW", a solemn and totally false adage that is the reason there exist so many mediocre novels about English professors contemplating adultery.”

“Isn't post-modernism really one big cover-up for the failure of the French to write a truly interesting novel ever since a sports car ate Albert Camus?”

“One must be just a little crazy to write a great novel. One must be capable of allowing the darkest, most ancient and shrewd parts of one’s being to take over the work from time to time.”