“A man, when he's burning up with passion, wants to see things; he wants to see everything, even how they make water. And while it's all very nice to know that a woman has a mind, literature coming from the cold corpse of a whore is the last thing to be served in bed.”

“He will never be satisfied,” writes one biographer...I know because I suffer from the same disease...I don't believe for a minute that the flowers ever faded or the stars were ever dimmed in Rimbaud's eyes...It was the world of men that his weary glance saw things pale and fade. He began by wanting to “see all, feel all, exhaust everything, explore everything, say everything.” ...He had no choice of fighting for the rest of his life to hold the ground he had gained or to renounce the struggle utterly. Why could he not have compromised? Because compromise was not in his vocabulary. He was a fanatic from childhood, a person who had to go the whole hog or die. In this lied his purity, his innocence.”

“Living with a whore--even the best whore in the world--isn't a bed of roses.”

“One can see now how the idea of heaven takes hold of men's consciousness, how it gains ground even when all the props have been knocked from under it. There must be another world beside this swamp in which everything is dumped pell-mell. It's hard to imagine what it can be like, this heaven that men dream about.”

“A man should begin with his own times. He should become acquainted first of all with the world in which he is living and participating. He should not be afraid of reading too much or too little. He should take his reading as he does his food or his exercise. The good reader will gravitate to the good books. He will discover from his contemporaries what is inspiring or fecundating, or merely enjoyable, in past literature. He should have the pleasure of making these discoveries on his own, in his own way. What has worth, charm, beauty, wisdom, cannot be lost or forgotten. But things can lose all value, all charm and appeal, if one is dragged to them by the scalp.”

“...God knows, when spring comes to Paris the humbles mortal alive must feel that he dwells in paradise....it [is] the the intimacy with which his eye rests upon the scene. It [is] his Paris. A man does not need to be rich, nor even a citizen, to feel this way about Paris. Paris is filled with poor people - the proudest and filthiest lot of beggars that ever walked the earth... And yet they give the illusion of being at home. It is that which distinguishes the Parisian from all other metropolitan souls. When I think of New York I have a very different feeling. New York makes even a rich man feel his unimportance. New York is cold, glisttering, malign. The buildings dominate. There is a sort of atomic frenzy to the activity going on; the more furious the pace, the more diminished the spirit...Nobody knows what it's all about. Nobody directs the energy. Stupendous. Bizarre. Baffling. A tremendous reactive urge, but absolutely uncoordinated.”

“...the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured- disgrace, humiliation, poverty, war, crime, ennui- in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off.”