“No, there's fifteen francs somewhere, which nobody gives a damn about anymore and which nobody is going to get in the end anyhow, but the fifteen francs is like the primal cause of things and rather than listen to one's own voice, rather than walk out on the primal cause, one surrenders to the situation, one goes on butchering and butchering and the more cowardly one feels the more heroically does he behave, until a day when the bottom drops out and suddenly all the guns are silenced and the stretcher-bearers pick up the maimed and bleeding heroes and pin medals on their chest.”

“Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become that path himself. ”I began in absolute chaos and darkness, in a bog or swamp of ideas and emotions and experiences. Even now I do not consider myself a writer, in the ordinary sense of the word. I am a man telling the story of his life, a process which appears more and more inexhaustible as I go on. Like the world-evolution, it is endless. It is a turning inside out, a voyaging through X dimensions, with the result that somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is ‘therapeutic’: significance, purposefulness, infinitude. ”From the very beginning almost I was deeply aware that there is no goal. I never hope to embrace the whole, but merely to give in each separate fragment, each work, the feeling of the whole as I go on, because I am digging deeper and deeper into life, digging deeper and deeper into past and future. With the endless burrowing a certitude develops which is greater than faith or belief. I become more and more indifferent to my fate, as writer, and more and more certain of my destiny as a man.”

“What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of. It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will.”

“...God knows, when spring comes to Paris the humbles mortal alive must feel that he dwells in paradise....it [is] the the intimacy with which his eye rests upon the scene. It [is] his Paris. A man does not need to be rich, nor even a citizen, to feel this way about Paris. Paris is filled with poor people - the proudest and filthiest lot of beggars that ever walked the earth... And yet they give the illusion of being at home. It is that which distinguishes the Parisian from all other metropolitan souls. When I think of New York I have a very different feeling. New York makes even a rich man feel his unimportance. New York is cold, glisttering, malign. The buildings dominate. There is a sort of atomic frenzy to the activity going on; the more furious the pace, the more diminished the spirit...Nobody knows what it's all about. Nobody directs the energy. Stupendous. Bizarre. Baffling. A tremendous reactive urge, but absolutely uncoordinated.”

“It’s like a man in the trenchesagain: he doesn’t know any more why he should go on living, becauseif he escapes now he’ll only be caught later, but he goes on justthe same, and even though he has the soul of a cockroach and hasadmitted as much to himself, give him a gun or a knife or even justhis bare nails, and he’ll go on slaughtering and slaughtering, he’dslaughter a million men rather than stop and ask himself why.”

“And when he got through I felt for the first time that there had really been a war and that the man I was listening to had been in it and that despite his bravery the war had made him a coward and that if he did any more killing it would be wide-awake and in cold blood, and nobody would have the guts to send him to the electric chair because he had performed his duty toward his fellow men, which was to deny his own sacred instincts and so everything was just and fair because one crime washes away the other in the name of God, country and humanity, peace be with you all.”

“1) Work on one thing at a time until finished.2) Start no more new books, add no more new material to "Black Spring."3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.4) Work according to Program and not according to mood. Stop at the appointed time!5) When you can't create you can work.6) Cement a little every day, rather than add new fertilizers.7) Keep human! See people, go places, drink if you feel like it.8) Don't be a draught-horse! Work with pleasure only.9) Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.10) Forget the books you want to write. Think only of the book you are writing.11) Write first and always. Painting, music, friends, cinema, all these come afterwards.”