“Ink is the cosmetic that ideas will wear when they go out in public. Graphite is their dirty truth.”

“In order to understand how engineers endeavor to insure against such structural, mechanical, and systems failures, and thereby also to understand how mistakes can be made and accidents with far-reaching consequences can occur, it is necessary to understand, at least partly, the nature of engineering design. It is the process of design, in which diverse parts of the 'given-world' of the scientist and the 'made-world' of the engineer are reformed and assembled into something the likes of which Nature had not dreamed, that divorces engineering from science and marries it to art. While the practice of engineering may involve as much technical experience as the poet brings to the blank page, the painter to the empty canvas, or the composer to the silent keyboard, the understanding and appreciation of the process and products of engineering are no less accessible than a poem, a painting, or a piece of music. Indeed, just as we all have experienced the rudiments of artistic creativity in the childhood masterpieces our parents were so proud of, so we have all experienced the essence of structual engineering in our learning to balance first our bodies and later our blocks in ever more ambitious positions. We have learned to endure the most boring of cocktail parties without the social accident of either our bodies or our glasses succumbing to the force of gravity, having long ago learned to crawl, sit up, and toddle among our tottering towers of blocks. If we could remember those early efforts of ours to raise ourselves up among the towers of legs of our parents and their friends, then we can begin to appreciate the task and the achievements of engineers, whether they be called builders in Babylon or scientists in Los Alamos. For all of their efforts are to one end: to make something stand that has not stood before, to reassemble Nature into something new, and above all to obviate failure in the effort.”

“Ideas are, in truth, forces. Infinite, too, is the power of personality. A union of the two always makes history.”

“Still I can't get it out of my mind what a discrepancy there is between ideas and living. A permanent dislocation, though we try to cover the two with a bright awning. And it won't go. Ideas have to be wedded to action; if there is no sex, no vitality in them, there is no action. Ideas cannot exist alone in the vacuum of the mind. Ideas are related to living: liver ideas, kidney ideas, interstitial ideas, etc. If it were only for the sake of an idea Copernicus would have smashed the existent macrocosm and Columbus would have foundered in the Sargasso Sea. The aesthetics of the idea breeds flowerpots and flowerpots you put on the window sill. But if there be no rain or sun of what use putting flowerpots outside the window?”

“The obvious types of American fascists are dealt with on the air and in the press. These demagogues and stooges are fronts for others. Dangerous as these people may be, they are not so significant as thousands of other people who have never been mentioned.The American fascist would prefer not to use violence. His method is to poison the channels of public information.With a fascist the problem is never how best to present the truth to the public but how best to use the news to deceive the public into giving the fascist and his group more money or more power.”

“The moral aspect was merely a concomitant, a coverall for some deeper, almost forgotten purpose. That histoire should be story, lie and history all in one, was of a significance not to be despised. And that a story, given out as the invention of a creative artist, should be regarded as the most effective material for getting at the truth about its author, was also significant. Lies can only be imbedded in truth. They have no separate existence; they have a symbiotic relationship with truth. A good lie reveals more than the truth can ever reveal. To the one, that is, who seeks truth. To such a person there could never be cause for anger or recrimination when confronted with the lie. Not even pain, because all would be patent, naked and revelatory.”

“I don't want to go with the smooth skin and the calm brow. I hope I end up ablithering idiot cursing the sun - hallucinating, screaming, givingobscene and inane lectures on street corners and public parks.”