“There must always be a fringe of the experimental in literature--poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve.”

“No fiction is worth reading except for entertainment. If it entertains and is clean, it is good literature, or its kind. If it forms the habit of reading, in people who might not read otherwise, it is the best literature.”

“There is no shortage of good days. It is good lives that are hard to come by. A life of good days lived in the senses is not enough. The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less; time is ample and its passage sweet. Who would call a day spent reading a good day? But a life spent reading -- that is a good life.”

“down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. “He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. “The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.”

“But the more significant factor is that one can easily remain free of even the most intense political oppression simply by placing one’s faith and trust in institutions of authority. People who get themselves to be satisfied with the behavior of their institutions of power, or who at least largely acquiesce to the Plegitimacy of prevailing authority, are almost never subjected to any oppression, even in the worst of tyrannies.Why would they be? Oppression is designed to compel obedience and submission to authority. Those who voluntarily put themselves in that state – by believing that their institutions of authority are just and good and should be followed rather than subverted – render oppression redundant, unnecessary.Of course people who think and behave this way encounter no oppression. That’s their reward for good, submissive behavior. As Rosa Luxemburg put this: “Those who do not move, do not notice their chains.” They are left alone by institutions of power because they comport with the desired behavior of complacency and obedience without further compulsion.But the fact that good, obedient citizens do not themselves perceive oppression does not mean that oppression does not exist. Whether a society is free is determined not by the treatment of its complacent, acquiescent citizens – such people are always unmolested by authority – but rather by the treatment of its dissidents and its marginalized minorities.”

“[Northrop] Frye was concerned mostly with literary criticism, and myths interested him as structural elements in works of literature. He used the word myth to mean story, without attaching any connotation of truth or falsehood to it; but a myth is a story of a certain kind. The myths of a culture are those stories it takes seriously—the ones that are thought to be a key to its identity.”