“A smile is the chosen vehicle of all ambiguities.”

“This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion”

“That's all a grit is, a vehicle. For whatever it is you rather be eating.”

“This guy in high school tried to run me over with his dad’s SUV. Bad shoved the vehicle through a store window.” The memory brought a smile to my face.”

“And I vaguely remember her smiling at me from the door way the glittering ambiguity of a girls smile, which seems to promise an answer to the question, but never gives it. The question, the one we’ve all been asking since girls stopped being gross, the question that is to simple to be uncomplicated: Does she like me or does she LIKE me?”

“Stories start in all sorts of places. Where they begin often tells the reader of what to expect as they progress. Castles often lead to dragons, country estates to deeds of deepest love (or of hate), and ambiguously presented settings usually lead to equally as ambiguous characters and plot, leaving a reader with an ambiguous feeling of disappointment. That's one of the worst kinds.”