“The old man slowly raised himself from the piano stool, fixed those cheerful blue eyes piercingly and at the same time with unimaginable friendliness upon him, and said: "Making music together is the best way for two people to become friends. There is none easier. That is a fine thing. I hope you and I shall remain friends. Perhaps you too will learn how to make fugues, Joseph.”

“Half smiling, with imperturbable brightness and friendliness, the Buddha looked steadily at the stranger and dismissed him with a hardly visible gesture. 'You are clever, O Samana,' said the Illustrious One, 'you know how to speak cleverly, my friend. Be on your guard against too much cleverness.”

“At last- I had already given up hope- he broke throught the magic wall; at last helped me; at last he said a few words. Those were the only words I heard him speak today. 'You are tiring yourself Joseph,' he said softly, his voice full of that touching friendlness and solicitude you know so well. That was all. 'You are tiring yourself Joseph.”

“Narziss, I am guilty of having passed rash judgement on you. I had thought you proud, and perhaps I did you an injustice. You are much alone, brother; you have many to admire you, but no friends. I wished to find the pretext to chide you a little. But I find none. I wanted to see you as disobedient as young men of your age so easily are. But you never disobey. Sometimes Narziss, you make me uneasy.”

“But I am thinking now of your favorite of whom you have talked to me sometimes, and read me, too, some of his letters, of Mozart. How was it with him in his day? Who controlled things in his times and ruled the roost and gave the tone and counted for something? Was it Mozart or the business people, Mozart or the average man? And in what fashion did he come to die and be buried? And perhaps, I mean, it has always been the same and always will be…Time and the world, money and power belong to the small people and the shallow people. To the rest, to the real men belongs nothing.”

“Well," he said with equanimity, "you see, in my opinion there is no point at all in talking about music. I never talk about music. What reply, then, was I to make to your very able and just remarks? You were perfectly right in all you said. But, you see, I am a musician, not a professor, and I don't believe that, as regards music, there is the least point in being right. Music does not depend on being right, on having good taste and education and all that.""Indeed. Then what does it depend on?""On making music, Herr Haller, on making music as well and as much as possible and with all the intensity of which one is capable. That is the point, Monsieur. Though I carried the complete works of Bach and Haydn in my head and could say the cleverest things about them, not a soul would be the better for it. But when I take hold of my mouthpiece and play a lively shimmy, whether the shimmy be good or bad, it will give people pleasure. It gets into their legs and into their blood. That's the point and that alone. Look at the faces in a dance hall at the moment when the music strikes up after a longish pause, how eyes sparkle, legs twitch and faces begin to laugh. That is why one makes music.”

“I have become distrustful of teachings and learning, and I have little faith in words that come to us from teachers. But, very well, my friend - I am ready to hear this new teaching, although I believe in my heart that I have already tasted the best fruit of it.”