“As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire.”

“Do you know Camille Desmoulins?” he asked. “Have you seen him? He’s one of these law-school boys. Never used anything more dangerous than a paper knife.” He shook his head wonderingly.“Where do they come from, these people? They’re virgins. They’ve never been to war. They’ve never been on the huntingfield. They’ve never killed an animal, let alone a man. But they’re such enthusiasts for murder.”

“DANTON: Could you indeed? It's you idealists who make the best tyrants.ROBESPIERRE: It seems a bit late to be having this conversation. I've had to take up violence now, and so much else. We should have discussed it last year.”

“Already d'Anton did not believe this. He recognized it as a disclaimer that Camille would issue from time to time in the hope of disguising the fact that he was an inveterate hell-raiser.”

“All that evening he talked to the Candle of Arras, in a low confidential tone. When you get down to it, he thought, there's not much difference between politics and sex; it's all aboutpower. He didn't suppose he was the first person in the world to make this observation. It's a question of seduction, and how fast and cheap you can effect it: if Camille, he thought, approximates to one of those little milliners who can't make ends meet - in other words, an absolute pushover - then Robespierre is a Carmelite, mind set on becoming Mother Superior. You can't corrupt her; you can wave your cock under her nose, and she's neither shocked nor interested: why should she be, when she hasn't the remotest ideawhat it's for?”

“Once he had watched Liz making a silk braid. One end was pinned to the wall and on each finger of her raised hands she was spinning loops of thread, her fingers flying so fast he couldn’t see how it worked. ‘Slow down,’ he said, ‘so I can see how you do it,’ but she’d laughed and said, ‘I can’t slow down, if I stopped to think how I was doing it I couldn’t do it at all.”

“You said,' Camille protested, 'that when you wanted to get on terms with Gabrielle you cultivated her mother. It's true, everybody saw you doing it, boasting in Italian and rolling your eyes and doing your tempestuous southerner impersonation.”