“Cranmer says, ‘We will try again with More. At least, if he refuses, he should give his reasons.’He swears under his breath, turns from the window. ‘We know his reasons. All Europe knows them. He is against the divorce. He does not believe the king can be head of the church. But will he say that? Not he. I know him. Do you know what I hate? I hate to be part of this play, which is entirely devised by him. I hate the time it will take that could be better spent, I hate it that minds could be better employed, I hate to see our lives going by, because depend upon it, we will all be feeling our age before this pageant is played out. And what I hate most of all is that Master More sits in the audience and sniggers when I trip over my lines, for he has written all the parts. And written them these many years.”

“He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them.”

“He finds he cannot think of the dying men at all. Into his mind instead strays the picture of More on the scaffold, seen through the veil of rain: his body, already dead, folding back neatly from the impact of the axe. The cardinal when he fell had no persecutor more relentless than Thomas More. Yet, he thinks, I did not hate him. I exercised my skills to the utmost to persuade him to reconcile with the king. And I thought I would win him, I really thought I would, for he was tenacious of the world, tenacious of his person, and had a good deal to live for. In the end he was his own murderer. He wrote and wrote and he talked and talked, then suddenly at a stroke he cancelled himself. If ever a man came close to beheading himself, Thomas More was that man.”

“~ You know young Francis Weston? He that waits on the king? His people are giving out that you’re a Hebrew... Next time you’re at court, take your cock out and put it on the table and see what he says to that.~ I do that anyway, if the conversation flags.”

“Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife? And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad.”

“It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake."Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."He thinks, Henry has been rehearsing. I suppose we all have.The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts.”

“Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can’t know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar’s legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them.”