“Our schools kept from us, for as long as they could, the dangerous, disruptive, upsetting knowledge of our own female nature.”

“Do you know Camille Desmoulins?” he asked. “Have you seen him? He’s one of these law-school boys. Never used anything more dangerous than a paper knife.” He shook his head wonderingly.“Where do they come from, these people? They’re virgins. They’ve never been to war. They’ve never been on the huntingfield. They’ve never killed an animal, let alone a man. But they’re such enthusiasts for murder.”

“When men decided women could be educated - this is what I think - they educated them on the male plan; they put them into schools with mottoes and school songs and muddy team games, they made them were collars and ties. It was a way to concede the right to learning, yet remain safe; the products of the system would always be inferior to the original model. Women were forced to imitate men, and bound not to succeed at it.”

“He doesn't believe the dead need our prayers, nor can they use them. But anyone who knows the Bible as he does, knows that our God is a capricious God, and there's no harm in hedging your bets.”

“Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.”

“Cranmer says, ‘We will try again with More. At least, if he refuses, he should give his reasons.’He swears under his breath, turns from the window. ‘We know his reasons. All Europe knows them. He is against the divorce. He does not believe the king can be head of the church. But will he say that? Not he. I know him. Do you know what I hate? I hate to be part of this play, which is entirely devised by him. I hate the time it will take that could be better spent, I hate it that minds could be better employed, I hate to see our lives going by, because depend upon it, we will all be feeling our age before this pageant is played out. And what I hate most of all is that Master More sits in the audience and sniggers when I trip over my lines, for he has written all the parts. And written them these many years.”

“At least, he thinks, the fellow has the wit to see what this is about: not one year's grudge or two, but a fat extract from the book of grief, kept since the cardinal came down. He says, 'Life pays you out, Norris. Don't you find?”