“Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.”

“Because with a really good book you get something new every time you read it. Because…Well…Because you're a different person each time.”

“I think you can read a dozen different books and not learn a single thing about writing. Good writers don't read, they study books. They pick the plots apart and the sentences apart. And part of studying is copying. Reading is great and every writer should read, but reading alone isn't enough to learn what you need to learn...”

“If you can read in the night time, you will open closed books! Mystery is an open book to you if you can open your eyes of understanding wide enough to behold the unvarnished truth that excites something to write home about; read and improve your life, lead and get lives better.”

“Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.”

“The book [Joyce's "Ulysses"] can just as well be read backwards, for it has no back and no front, no top and no bottom. Everything could easily have happened before, or might have happened afterwards. You can read any of the conversations just as pleasurably backwards, for you don't miss the point of the gags. Every sentence is a gag, but taken together they make no point. You can also stop in the middle of a sentence--the first half still makes sense enough to live by itself, or at least seems to. The whole work has the character of a worm cut in half, that can grow a new head or a new tail as required.”