“Suppose she denied him then but favored him some other time? Women are weak and easily conquered by flattery. Especially when men write verses to them, and there are some who sat that Wyatt writes better verses than me, though I am the King.”
“You once told me, when you visited my house, how Anne conducts herself with men: she says, “Yes, yes, yes, yes, no.”’ Wyatt nods; he recognises those words; he looks sorry he spoke them. ‘Now you may have to transpose one word of that testimony. Yes, yes, yes, no, yes.”
“Erasmus says that you should praise a ruler even for qualities he does not have. For the flattery gives him to think. And the qualities he presently lacks, he might go to work on them.”
“Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.”
“But you see, Crumb, it is hard to give up what you have worked at since you were a boy. There were some Italian visitors once, they were cheering us on, Brandon and myself, and they thought that Achilles and Hector had come back to life. So they said.'But which is which? One dragged through the dust by the other ...The king says, 'You turn your boy out beautifully. No nobleman could do more.''I don't want him to be Achilles,' he says, 'I only want him not to be flattened.”
“Young Surrey now lays down his knife and begins to complain. Noblemen, he laments, are not respected as they were in the days when England was great. The present king keeps about himself a collection of men of base degree, and no good will come of it. Cranmer creeps forward in his chair, as if to intervene, but Surrey gives him a glare that says, you’re exactly who I mean, archbishop.”
“The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.”