“The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.”

“You mustn't stand about. Come home with me to dinner.’‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.”

“Cranmer says, ‘We will try again with More. At least, if he refuses, he should give his reasons.’He swears under his breath, turns from the window. ‘We know his reasons. All Europe knows them. He is against the divorce. He does not believe the king can be head of the church. But will he say that? Not he. I know him. Do you know what I hate? I hate to be part of this play, which is entirely devised by him. I hate the time it will take that could be better spent, I hate it that minds could be better employed, I hate to see our lives going by, because depend upon it, we will all be feeling our age before this pageant is played out. And what I hate most of all is that Master More sits in the audience and sniggers when I trip over my lines, for he has written all the parts. And written them these many years.”

“Suppose she denied him then but favored him some other time? Women are weak and easily conquered by flattery. Especially when men write verses to them, and there are some who sat that Wyatt writes better verses than me, though I am the King.”

“I was bound to step out of line, if only because I did not know where the line was: if only because I did not know anything.”

“But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind.[Author Hilary Mantel on being told her endometriosis was imagined pain, From Oct 2009 Daily Mail interview]”

“Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.”