“He will grow up into one of those people who lean back to smile and jump so easily it looks like slow motion and steer cars with their knees and snitch roses from gardens to give to girls and write with their left hand and own two pairs of jeans and one jacket and fall in love from such a height and so hard and so completely that they never quite recover from the drop.But at least he will have me to look out for him.”

“It puzzled K., at least it puzzled him looking at it from the policemen's point of view, that they had made him go into the room and left him alone there, where he had ten different ways of killing himself. At the same time, though, he asked himself, this time looking at it from his own point of view, what reason he could have to do so. Because those two were sitting there in the next room and had taken his breakfast, perhaps?”

“The acrobat practices: He steps on the edge of a chair and leaps to the floor, feeling the rush as the air flares up his face as he falls. Then he sets himself on something higher, like a table then jumps. He scales a ladder to the ceiling, climbs a tree, pole, watchtower. He keeps increasing the height until no one sees him and the fear to jump leaves him completely, layer by layer [. . .] The acrobat imagines there is a highest possible point in the sky where if he were to fall from it the fall would never end.”

“I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.'And he said,'Well, we have to look into that.'And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?'And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!'He said, 'I'll have to give you medication.'I said, 'I don't want medication! I want the girl!'And he said, 'We have to work this through.'So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...”

“...he looked so strange and absentminded; quite obviously he had just been reading a book, one could tell that from the expression in his eyes, from his hair, from the abstracted way in which he managed his hands.”

“I look over at Ed. He's staring out the window giving Leo the thumbs-down. I wait till he's looking at me, then I give him two fingers up. He gives me two fingers back. I give him the middle finger. He gives it back to me. I don't know any more signs, so I make up one. Three fingers. Take that, mister. He sticks up four. I call your four and raise you five. He skips straight to ten and does something with his thumb that disturbs me. I bounce my hands on my lap. Ed bounces his lap right back.”