“I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk.”

“Pet the cat dude," says Sam. "She brought you a present. She wants you to tell her how badass she is." "You are a tiny tiny killing machine." Daneca coos. "What's she doing?" I ask. "Purring!" says Daneca. She sounds delighted. "Good kitty. Who's an amazing killing machine? That's right. You are! You are a brutal brutal tiny lion! Yes, you are.”

“She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.”

“Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me."That makes me nearly spit out beer, I laugh so hard."No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat."That only makes me laugh harder."Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope.""Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound."It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy.""I am a nice guy."I try to be.Sam snorts. "She liked you because you scared her. And then you scared her too much.”

“Feels almost like real agent work, doesn’t it?” Barron says as we walk down the street, heads bowed against the wind. “You know, if we caught your girlfriend committing a crime, I bet Yulikova would give us a bonus or something for being prize pupils.” “Except that we’re not going to do that,” I say. “I thought you wanted us to be good guys.” He grins a too-wide grin. He’s enjoying needling me, and my reacting only makes it worse, but I can’t stop. “Not if it means hurting her,” I say, my voice as deadly as I can make it. “Never her.” “Got it. Hurting, bad. But how do you excuse stalking her and her friends, little brother?” “I’m not excusing it,” I say. “I’m just doing it.”

“Once, Lila Zacharov was in love with a boy with hair as black as spilled ink and eyes as dark as coffee. She would trace his name on her skin, over and over, write it in the condensation of her breath on panes of glass, scrawl it on the bottoms of her feet with the tip of her nail, like she was casting a spell.”

“I’m Lila, and yes, he’s crazy. But you must have noticed that before now. He was crazy back when I knew him, and he’s obviously gotten crazier overtime.”