“He says to me, Ranulph, he says... that the past will never come again, but that we must remember that the past is made of the present, and that the present is always here.”

“Stop a minute, Ambrose!" interrupted Master Nathaniel. "I've got a sudden silly whim that we should take an oath I must have read when I was a youngster in some old book... the words have suddenly come back to me. They go like this: We (and then we say our own names), Nathaniel Chanticleer and Ambrose Honeysuckle, swear by the Living and the Dead, by the Past and the Future, by Memories and Hopes, that if a Vision comes begging at our door we will take it in and warm it at our hearth, and that we will not be wiser than the foolish nor more cunning than the simple, and that we will remember that he who rides the Wind needs must go where his Steed carries him.”

“It was as if the future were a treacly adhesive fluid that had been spilt all over the present, so that everything he touched made his fingers too sticky to be of the slightest use.”

“Was it possible that Ranulph, too, was a real person, a person inside whose mind things happened? He had thought that he himself was the only real person in a field of human flowers. For Master Nathaniel that was a moment of surprise, triumph, tenderness, alarm.”

“What's the use of crying, and retching, and belching, all day long, like your lady downstairs? Life has its sad side, and we must take the rough with the smooth. Why, maids have died on their marriage eve, or, what's worse, bringing their first baby into the world, and the world's wagged on all the same. Life's sad enough, in all conscience, but there's nothing to be frightened about in it or to turn one's stomach. I was country-bred, and as my old granny used to say, "There's no clock like the sun and no calendar like the stars." And why? Because it gets one used to the look of Time. There's no bogey from over the hills that scares one like Time. But when one's been used all one's life to seeing him naked, as it were, instead of shut up in a clock, like he is in Lud, one learns that he is as quiet and peaceful as an old ox dragging the plough. And to watch Time teaches one to sing. They say the fruit from over the hills makes one sing. I've never tasted so much as a sherd of it, but for all that I can sing.”

“As Master Nathaniel jogged leisurely along his thoughts turned to the Farmer Gibberty, who many a time must have jogged along this path, in just such a way, and seen and heard the very same things that he was seeing and hearing now.Yes, the Farmer Gibberty had once been a real living man, like himself. And so had millions of others, whose names he had never heard. And one day he himself would be a prisoner, confined between the walls of other people's memory. And then he would cease even to be that, and become nothing but a few words cut in stone. What would these words be, he wondered.”

“Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own shape. He had no need now to ask his son for explanations. He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon.But when it is another person who is suffering in this way, in spite of one's pity, how trivial it all seems! How certain one is of being able to expel the agony with reasoning and persuasion!”