“The Written Word is a Fairy, as mocking and elusive as Willy Wisp, speaking lying words to us in a feigned voice. So let all readers of books take warning!”

Hope Mirrlees

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“But it is best to let sleeping facts lie.”


“Stop a minute, Ambrose!" interrupted Master Nathaniel. "I've got a sudden silly whim that we should take an oath I must have read when I was a youngster in some old book... the words have suddenly come back to me. They go like this: We (and then we say our own names), Nathaniel Chanticleer and Ambrose Honeysuckle, swear by the Living and the Dead, by the Past and the Future, by Memories and Hopes, that if a Vision comes begging at our door we will take it in and warm it at our hearth, and that we will not be wiser than the foolish nor more cunning than the simple, and that we will remember that he who rides the Wind needs must go where his Steed carries him.”


“As Master Nathaniel jogged leisurely along his thoughts turned to the Farmer Gibberty, who many a time must have jogged along this path, in just such a way, and seen and heard the very same things that he was seeing and hearing now.Yes, the Farmer Gibberty had once been a real living man, like himself. And so had millions of others, whose names he had never heard. And one day he himself would be a prisoner, confined between the walls of other people's memory. And then he would cease even to be that, and become nothing but a few words cut in stone. What would these words be, he wondered.”


“Let a thing be but a sort of punctual surprise, like the first cache of violets in March, let it be delicate, painted and gratuitous, hinting that the Creator is solely occupied with aesthetic considerations, and combines disparate objects simply because they look so well together, and that thing will admirably fill the role of a flower.”


“The country people, indeed, did not always clearly distinguish between the Fairies and the dead. They called them both the 'Silent People'; and the Milky Way they thought was the path along which the dead were carried to Fairyland.”


“A class struggling to assert itself, to discover its true shape, which lies hidden, as does the statue in the marble, in the hard, resisting material of life itself, be different from the same class when chisel and mallet have been laid aside, and it has actually become what it had so long been struggling to be.”