“Psychic change, as Todorov has recognized, subverted the genre in another way, by revoking the cultural taboos, the social censorship, that had prohibited the overt treatment of psychosexual themes, which then found covert expression in the supernatural tale. 'There is no need today to resort to the devil [or to posthumous reverie] in order to speak of excessive sexual desire, and none to resort to vampires in order to designate the attraction exerted by corpses: psychoanalysis, and the literature which is directly or indirectly inspired by it, deal with these matters in undisguised terms. The themes of fantastic literature have become, literally, the very themes of the psychological investigations of the last fifty years.”

“As more and more norms disappear from social praxis, literature faces ever-growing difficulties. Its predicament is beginning to resemble that of a child who has discovered that his incredibly understanding parents will let him break with impunity all his toys, indeed everything in the house. The artist cannot create specific prohibitions for himself in order to attack them later in his work; the prohibitions must be real, and hence independent of the writer's choices. And since the relativization of cultural norms has not so far been able to disturb the given characteristics of human biology, that is where writers today seek the still perceptible points of resistance--which is why literature is preoccupied with the theme of sex.”

“Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature.”

“During his reading hours, which were between one and five o'clock in the morning, but not every morning, he had come to the disconcerting conclusion that whistling was not an important theme in literature.”

“Sexual expression is so powerful a way of bonding with others and so devastating a way of hurting others that it can never be reduced to a mere matter of personal preferences. Sexual desires have immense capacities to order or disorder the social world. Because of this, the social meanings and expressions of sexual desire, connections, and taboos are an organizing component of human societies: Who wants whom? Who belongs with whom? Who is forbidden to whom? What do infractions mean, and what are their consequences?”

“I want to create beautiful things, beautiful stories,with my art and my words. It is about the story telling aspect, no matter what the theme or genre. Whether, the stories and art are modern, grotesque, real, fantastical or cute, I want my stories to speak and to have their own voices. To speak to us about our desires and the human condition, but also to inspire. To ultimately draw us towards a positive and connect us with a higher note.”