“All reality is a game.”

“All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.”

“Yes of course I know it's all a dream. Isn't everything?”

“To want more was not just childish, but cowardly, and somehow constpatory too. Death was change; it led to new chances, new vacancies, new niches and opportunities; it was not all loss.”

“All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own patterns and influence other people's, the weak have their courses mapped out for them. The weak and the unlucky, and the stupid.”

“In the end, he had to admit, he didn't really understand her. He didn't understand women. He didn't understand men. He didn't even understand children very well. All he really understood, he thought, was himself and the rest of the universe. Neither anything like completely, of course, but both well enough to know that what remained to be discovered would make sense; it would fit in, it could all be gradually and patiently fitted together a bit at a time, like an infinite jigsaw puzzle, with no straight edges to look for and no end in sight, but one in which there was always going to be somewhere for absolutely any piece to fit.”

“Dear lieutenant, I think we all seduced you, deflected you from a course that might have let you live. Seeking something in the quick of us, searching to secure a kind of love with the provenance of age and land and family, you took over our premises; you presumed to the legacy that was ours, and if you did not see that such assumptions have their own ramifying repercussions, and that the stones demand their own continuity of blood, if you did not understand the gravity of their isolation, the solitude of their trapped state or the hardness of their old responsibility, still you cannot fault the castle or either one of us, or complain that you were led to your own conclusion. I left the castle; you brought us all back.”