“Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.”

Iain Banks
Time Neutral

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Quote by Iain Banks: “Writing is like everything else: the more you do… - Image 1

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“But what if someone kills somebody else?"Gurgeh shrugged. "They're slap-droned.""Ah! This sounds more like it. What does that drone do?""Follows you around and makes sure you never do it again.""Is that all?""What more do you want? Social death, Hamin; you don't get invited to too many parties.""Ah; but in your Culture, can't you gatecrash?""I suppose so," Gurgeh conceded. "But nobody'd talk to you.”


“It felt like faith, like revelation: that things went on, that life ground on regardless, and mindless, and produced pain and pleasure and hope and fear and joy and despair, and you dodged some of it and you sought some of it and sometimes you were luckyand sometimes you weren’t, and sometimes you could plan your way ahead and that would be the right thing to have done, but other times all you could do was forget about plans and just be ready to react, and sometimes the obvious was true and sometimes itwasn’t, and sometimes experience helped but not always, and it was all luck, fate, in the end; you lived, and you waited to see what happened, and you would rarely ever be sure that what you had done was really the right thing or the wrong thing, because things canalways be better, and things can always be worse.”


“Och, stop being so sensitive, Prentice; it isn't much fun getting old. One of the few pleasures that do come your way is to speak your mind... Certainly annoying your relatives is enjoyable too, but I expected better of you.”


“-"Then what," Lededje asked, trying to keep her voice cold and not get caught up in the avatar´s obvious enthusiasm, "is making you smile about a disaster?"-"Well, first, I didn´t cause it! Nothing to do with me, hands clean. Always a bonus.”


“Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.”


“The usual example given to illustrate an Outside Context Problem was imagining you were a tribe on a largish, fertile island; you'd tamed the land, invented the wheel or writing or whatever, the neighbours were cooperative or enslaved but at any rate peaceful and you were busy raising temples to yourself with all the excess productive capacity you had, you were in a position of near-absolute power and control which your hallowed ancestors could hardly have dreamed of and the whole situation was just running along nicely like a canoe on wet grass... when suddenly this bristling lump of iron appears sailless and trailing steam in the bay and these guys carrying long funny-looking sticks come ashore and announce you've just been discovered, you're all subjects of the Emperor now, he's keen on presents called tax and these bright-eyed holy men would like a word with your priests.”