“Was Fergus Urvill anywhere, still? Apart from the body - whatever was left of him physically, down there in that dark, cold pressure - was there anything else? Was his personality intact somehow, somewhere?I found that I couldn't believe that it was. Neither was dad's, neither was Rory's, nor Aunt Fiona's, nor Darren Watt's. There was no such continuation; it just didn't work that way, and there should even be a sort of relief in the comprehension that it didn't. We continue in our children, and in our works and in the memories of others; we continue in our dust and ash. To want more was not just childish, but cowardly, and somehow constipatory, too. Death was change; it led to new chances, new vacancies, new niches and opportunities; it was not all loss.”

“To want more was not just childish, but cowardly, and somehow constpatory too. Death was change; it led to new chances, new vacancies, new niches and opportunities; it was not all loss.”

“I sucked that smoke in and made it part of me, joined mystically with the universe right at that point, said Yes to drugs forever just by the unique hit I got from that one packet of fags Andy liberated from his dad. It was a revelation, an epiphany; a sudden realisation that it was possible for matter - something there in front of you, in your hand, in your lungs, in your pocket - to take your brain apart and reassemble it in ways you hadn't thought of previously. This was better than religion, or this was what people meant by religion! The whole point was that this worked! People said Believe In God or Do Well At School or Buy This or Vote For Me or whatever, but nothing ever worked the way substances worked, nothing ever fucking delivered the way they did. They were truth. Everything else was falsehood.”

“Often I've thought of myself as a state; a country or, at the very least, a city. It used to seem to me that the different ways I felt sometimes about ideas, courses of action and so on were like the differing political moods that countries go through. It has always seemed to me that people vote in a new government not because they actually agree with their politics but just because they want a change. Somehow they think that things will be better under the new lot. Well, people are stupid, but it all seems to have more to do with mood, caprice and atmosphere than carefully thought-out arguments. I can feel the same sort of thing going on in my head. Sometimes the thoughts and feelings I had didn't really agree with each other, so I decided I must be lots of different people inside my brain.”

“I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.”

“Dear lieutenant, I think we all seduced you, deflected you from a course that might have let you live. Seeking something in the quick of us, searching to secure a kind of love with the provenance of age and land and family, you took over our premises; you presumed to the legacy that was ours, and if you did not see that such assumptions have their own ramifying repercussions, and that the stones demand their own continuity of blood, if you did not understand the gravity of their isolation, the solitude of their trapped state or the hardness of their old responsibility, still you cannot fault the castle or either one of us, or complain that you were led to your own conclusion. I left the castle; you brought us all back.”

“All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.”