“These solo concerts were without precedent, not only in jazz history, but also in the entire history of the piano. They were not renditions of composed music committed to memory, nor were they a series of variations on composed themes. They were attempts at very long stretches (up to an hour at a time) of total improvisation, the creation from scratch of everything: rhythms, themes, structures, harmonic sequences and textures. Before a concert, Jarrett would try to empty himself of all preconceived ideas, and then allow the music to flow through and out of him. He said that if he was not able to empty himself he would, almost invariably, have a concert that was not as good. There might be periods when he seemed to be marking time but and feeling his way into a new area, but this was also part of the total experience which delighted and enthralled audiences. The sustained intensity of Jarrett’s inspiration during these marathons was literally awesome and, almost in the sense of preacher and congregation, he seemed to want the audiences to be not only witnesses but also participators on the occasion...”

“Three times a day Petrovich showed up at the nurse’s office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.”

“He felt as though he were failing in practically every area of his life. Lately, happiness seemed as distant and unattainable to him as space travel. He hadn't always felt this way. There had been a long period of time during which he remembered being very happy. But things change. People change. Change was one of the inevitable laws of nature, exacting its toll on people's lives. Mistakes are made, regrets form, and all that was left were repercussions that made something as simple as rising from the bed seem almost laborious. ”

“The only thing he could do to stay alive was not to allow himself the anguish of that memory. He erased it from his mind, although from time to time in the years that were left to him he would feel it revive, with no warning and for no reason, like the sudden pang of an old scar.”

“I felt total bad about it, and empty. Granpa said he knew how I felt, for he was feeling the same way. But Granpa said everything you lost which you had loved give you that feeling. He said the only way round it was not to love anything, which was worse because you would feel empty all the time.”

“What about concerts and opera performances? Nowadays these bring him little pleasure [...] These people have no interest in classical music - they would much prefer operettas or films with Marika Rokk[...]How can he possibly enjoy music under such circumstances? What good is it to invite the finest musicians and conductors of the Reich to Prague, when they must perform for such uneducated audience, who applaud only dutifully and never with enthusiasm. And, of course, the artists sense this immediately; they have a well-developed instinct about their audiences. Therefore, they play and sing any old way, without distinction.”