“Ian FlemingThe CBC Interview, 1953He doesn’t use Anglo-Saxon four-letter words, “I don’t like seeing them on the page.”When asked why his novels are so popular in light of the dirtiness of the trade (of espionage), Fleming said, “The books have pace and plenty of action. And espionage is not regarded by the majority of the public as a dirty trade. They regard it as a rather sort of ah, ah very romantic affair… Spying has always been regarded as (a) very romantic one-man job, so-to-speak. A one man against a whole police force or an army.”Regarding heroes of his time, Fleming said, “I think that although they may have feet of clay, ah, we probably all have, and all human beings have, there’s no point in dwelling entirely on the feet. There are many other parts of the animal to be examined. And I think people like to read about heroes.”BBC Interview on Desert Island DiscsQuestion: Had the character of James Bond been growing in your mind for a long time?Ian Fleming’s response: “No, I can’t say I had, really. He sort of, ah, developed when I was just on the edge of getting married, after having been a bachelor for so long, and I really wanted to take my mind off the agony. And so I decided to sit down and write a book.”Question: How much long do you think you can keep Bond going?Ian Fleming’s response: “Well, I don’t know. It depends on how much I, how much more I can go on following his adventures.”Question: You don’t feel he’s keeping you from more serious writing?Ian Fleming’s response: “No. I’m not in the Shakespeare stakes. I’ve got no ambitions.”

“I want to be more like James Bond, and less like Ian Fleming.”

“… there’s one thing that I know well – that I feel very alone. It’s the price you have to pay if you want to be yourself. And don’t believe that I don’t suffer for it, but it seems to me that I have nothing to say to the majority of people and it’s perhaps that which makes me feel timid… I'm very demonstrative when I play. I always make faces, laugh, jump about, gesticulate, and am very animated, and many people who see me like that think that I’m much more reserved when I’ve left my piano. In reality, I feel truly at ease only in music…Keith Jarrett”

“Women are often meticulous and safe drivers, but they are very seldom first-class. In general, Bond regarded them as a mild hazard and he always gave them plenty of road and was ready for the unpredictable. Four women in a car he regarded as the highest potential danger, and two women nearly as lethal. Women together cannot keep silent in a car, and when women talk they have to look into each other’s faces. An exchange of words is not enough. They have to see the other person’s expression, perhaps to read behind the others’ words or analyze the reaction to their own. So two women in the front seat of a car constantly distract each other’s attention from the road ahead and four women are more than doubly dangerous for the driver not only has to hear and see, what her companion is saying but also, for women are like that, what the two behind are talking about.”

“My first question is- do you have a name?"A name? Yes.""Ah!" said the wolf. It wrote several extensive notes. "And what is that name?" "George.""I see," said the wolf. "And how long have you been George?""How long? As in, how long have I been alive?" "oh, were you here in some way before you were alive?" asked the wolf, interested."I...don't really know," said George. " I don't think so." "So you don't know if you were here? Or if you were here before your George-time? Is it possible for you to be here, bu not know it?""My what time? no, I mean, I was born, and then they just named me George." "So you are not George," said the wolf. George is just a name. A word. A propulsion of air modified by the flexing of throat parts." "Well, I am George, but...yes. Yes, and...no." "Is it possible that you became George at a later time, having been originally named that thing?" asked the wolf. " What if the naming had been different, would you still be George?" "I...yes?" "Really?" breathed the wolf in awe. "This is all so confusing." Yet he seemed very pleased with George's answers. " I don't know how you all do it. It seems so marvelously complex to simply...be.”

“...I think one shouldn't pussyfoot, and just say that you write the stuff that you would like to read. So you write for yourself, no doubt about that. But I do have a sort of romantic idea of someone in their twenties, of a certain bent, and when they pick up a book by me, they think--as I have done on several occasions--'Ah, here is one for me. Here is a writer who I'll have to read all of, because they're speaking directly to me, and they're writing what I want to read.' And sometimes you're doing the signing queue and a reader comes past and you sign the book, and there's a little exchange of the eyes, where you think, 'Ah, that's one of them.' So there is that ideal reader. And it's someone who's discovering literature and homes in on you. I'm aware of such readers.”

“I carry an invisible box of jerseys with me that say "Team Ian" on the front. My goal is to convince everyone I meet to become my fan and prove it by putting on my "Team Ian" jersey. If they do, then for at least ten minutes I feel like I've won their approval and love. If I have a run of people who don't put it on, I can fall into a rut I have visited so often I should have it decorated and furnished. For me, life is like one long job interview in which I'm trying to impress everyone I meet enough to hire me. The routine is exhausting, mostly for everyone else.I confessed this nutty practice to my spiritual director. He smiled, put his arm around my shoulder, and said, "I never trust a man without a limp.”