“Discussions of the effects of serial publication of Victorian novels on their authors and readers1 usually draw attention to the author's peculiar opportunities for cliff-hanging suspense, as, for instance, when Thackeray has Becky Sharp counter old Sir Pitt's marriage proposal at the end of Vanity Fair's fourth number with the revelationthat she is already married, and the reader must wait a month before the husband's identity is revealed. Or it may be pointed out how the author can modify his story in response to his readers' complaints or recommendations, as when Trollope records in hisAutobiography how he wrote Mrs Proudie out of the Barchester Chronicles after overhearing two clergymen in the Athenaeum complaining of his habit of reintroducing the same characters in his fiction.”

“How can a good God appoint cruel people to positions of authority? The answer is simple: God is the originator of the authority, but He is not the author of the cruelty. Man is responsible for his cruel actions, not God. All authority is of God, but not all authority is godly.”

“Every reader, if he has a strong mind, reads himself into the book, and amalgamates his thoughts with those of the author.”

“Mr. Hibna had been misguided in trying to take the drastic alteration of his life into his own hands. As usual, the world was supplying the change. As usual, Mr. Hibna was a character, not the author. And thank God. Mr. Hibna wasn't up to being the author. He didn't know how to save himself. Never was he less skilled, more doltish, than when he tried to figure and plot his own life.”

“An author who sets his reader on sounding the depths of his own thoughts serves him best.”

“books are nothing but repositories for those lies the author wants his reader to believe.”