“In my dreams I kiss your cunt, your sweet wet cunt. In my thoughts I make love to you all day long.”
In this quote by Ian McEwan, the speaker expresses a deep desire and longing for their partner. The use of explicit language and vivid imagery conveys a sense of intense passion and intimacy. The speaker's fantasies and thoughts revolve around their partner, highlighting the strength of their emotional connection and attraction. This quote explores the power of desire and the impact it has on one's thoughts and dreams.
These lines by Ian McEwan from his novel "Enduring Love" depict a raw and intimate expression of desire. In today's society, there is a growing emphasis on openness and liberation when it comes to discussing sexual desires and fantasies. This quote serves as a reminder of the power and beauty in expressing one's deepest desires with honesty and passion. It also highlights the importance of communication and consent in intimate relationships.
"In my dreams I kiss your cunt, your sweet wet cunt. In my thoughts I make love to you all day long." - Ian McEwan
This powerful and provocative excerpt showcases Ian McEwan's ability to use sensual language in his writing.
When reading this quote, how does it make you feel or react? Do you think it is appropriate to have such intimate thoughts about someone? What does this quote reveal about the character or the relationship between the characters in the text? How does the language and imagery used in this quote enhance or detract from the overall message of the text? Have you ever had similar thoughts or fantasies about someone? How did you navigate those feelings?
“But soon I loved her completely and wished to possess her, own her, absorb her, eat her. I wanted her in my arms and in my bed, I longed she would open her legs to me”
“I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. Cee”
“I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two.”
“You pull a book from the shelf and there was an invention... Almost like cooking, I thought sleepily. Instead of heat transforming the ingredients, there's pure invention, the spark, the hidden element. What resulted was more than the sum of parts... At one level it was obvious enough how these separarte parts were tipped in and deployed. The mystery was in how they were blended into somthing cohesive and plausible, how the ingredients were cooked into something so delicious. As my thought scattered and I drifted toward the borders of oblivion, I thought I almost understood how it was done.”
“I was the basest of readers. All I wanted was my own world, and myself in it, given back to me in artful shapes and accessible form.”
“Four or five years - nothing at all. But no one over thirty could understand this peculiarly weighted and condensed time, from late teens to early twenties, a stretch of life that needed a name, from school leaver to salaried professional, with a university and affairs and death and choices in between. I had forgotten how recent my childhood was, how long and inescapable it once seemed. How grown up and how unchanged I was.”