“The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.”

Ian McEwan
Time Dreams Positive

Explore This Quote Further

Quote by Ian McEwan: “The cost of oblivious daydreaming was always thi… - Image 1

Similar quotes

“The cost of oblivius daydreaming was always this moment of return, the realigment with what had been before and now seemed a little worse.Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual.It was difficult to come back.”


“It marked the beginning and, of course, an end. At that moment a chapter, no, a whole stage of my closed. Had I known, and had there been a spare second or two, I might have allowed myself a little nostalgia.”


“The conversation had turned again to those moments, by now enriched by a private mythology, when they first set eyes on each other”


“She wanted to leave, she wanted to lie alone face down on her bed and savor the vile piquancy of the moment, and go back down the lines of branching consequences to the point before the destruction began. She needed to contemplate with eyes closed the full richness of what she had lost, what she had given away, and to anticipate the new regime.”


“In that shrinking moment he discovered that he had never hated anyone until now. It was a feeling as pure as love, but dispassionate and icily rational.”


“Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”