“She's not dead, Henry kept telling himself. But her life, all lives, seemed tenuous when he saw how quickly, with what ease, all the trappings, all the fine details of a lifetime could be packed and scattered, or junked.”

“It took a day to dismantle Lily's existence . . .striking the set of a play, humble, one-handed domestic drama, without permission from the cast. . . But her life, all lives, seemed tenuous when he saw how quickly, with what ease, all the trappings, all the fine details of a lifetime could be packed and scattered, or junked. . . Objects became junk as soon as they were separated from their owner and their pasts . . . As the shelves and drawers emptied, and the boxes and bags filled, he saw that no one owned anything really. It's all rented, or borrowed. Our possessions will outlast us, we'll desert them in the end.”

“When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through.”

“She was downstairs now in the living room watching TV' with a mug of hot chocolate and a fried egg and pineappelpineappel?yes pineappel- sandwich.”

“All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them.”

“He was supposed to be reading, but all he could do was watch her and love her bare arms, her Alice band, her straight back, the sweet tilt of her chin as she tucked the instrument under it...”

“But how to do feelings? All very well to write "She felt sad", or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things.”